Lyrics aside, the flow of the melodies is unequivocally beautiful, especially “Think of Me,” “Angel of Music,” “Wishing You Were Somehow Here Again,” and “The Point of No Return.”Īnd the soundtrack is one of the many reasons why “The Phantom of the Opera” is so beloved. But the immense penchant for its soundtrack does not excuse the toxicity, manipulation, abuse, toying with our sense of sympathy and misuse of the meaning of love that is rampant in the musical’s storyline. I’m not going to attempt to describe or analyze every single problematic detail of this entire musical, but let’s try to hit the main points of why this supposed “love story” between Christine and The Phantom, and specifically The Phantom 1 himself as a person, should not be placed on any sort of pedestal. So first thing’s first, The Phantom is a grooming pedophile.Ĭhristine entered the Opera House at the tender age of 7, the age when she became an orphan and consequently was taken under the care of Madame Giry, a self-described mother figure to Christine. It is then that The Phantom initiates a relationship with her, as he becomes her unseen, unknown singing teacher. He constructs this mentor-persona who would speak to her whenever she would visit her father’s shrine, which was placed in an isolated room of the theater, hidden from plain view. #Youtube phantom of the opera movie series#īefore he died, Christine’s father told her that he would send her an Angel of Music who would “guide” and “guard” her.

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